Top tip: check if you can input any relevant metadata to your equipment before or during shooting, this makes managing rushes easier in post. This metadata is sometimes auto-generated by the camera or microphone, but it can also be entered into the device at the time of recording. Automatically, DaVinci Resolve will also scan for metadata as your footage is imported.Once you're done, click 'Save' in the Metadata Editor. Just select multiple clips in the Media Pool and input your information. You can also bulk add data by clicking on a metadata group first. Manually Add or edit data to individual clips in the Metadata Editor.

Metadata can be added manually and automatically into DaVinci Resolve. There's even a 'Reviewed By' list for tracking who has reviewed the clip (DOP, Director, VFX Supervisor etc.) and whether it has been sent to the studio.Īnd that's just scratching the surface of metadata in DaVinci Resolve! Not all of the available metadata will be relevant to your project, but you should spend a little time exploring the possibilities.DaVinci Resolve also has separate metadata groups for different editing departments, such as 'Audio' and 'Stereo3D and VFX'.There's a 'Camera' metadata group for inputting camera type, lens, filter, shutter etc.The 'Shot & Scene' metadata group covers descriptions, comments, keywords, people, clip color, shot type, angle, shoot day, and other details about the clip's content.Metadata are bits of information associated with source media via the 'Metadata Editor' tab. Before we dive into the detail, let's spend a moment unpacking the different types of metadata you'll come across while editing. Markers, flags, and keywords all fall under the category of ‘metadata' in DaVinci Resolve.

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